The centre piece of Sigmund Freud’s study – and indeed Sigmund Freud’s work – is his famous psychoanalytic couch. It has become a staple in depicting analysis; on film and television we see patients reclining on it before divulging their thoughts.
Freud’s couch was a present from a patient, a Madame Bevenisti, around 1890. The richly detailed Qashqa’i carpet on top, which Freud himself added, hides a rather plain body, with a rough wooden frame, piled with embroidered cushions. Once covered in the carpet and placed at the centre of Freud’s consulting room the couch gave Freud’s study gravitas and gave his patients a non-medical bed to lie on.
Freud’s couch has come to represent the practice of psychoanalysis itself and is undoubtedly one of the most famous pieces of domestic furniture in the world. It has always been part of Freud’s house, where he had his office, blurring the line between work and home, illness and life. When Freud came to London from Vienna in 1938, the couch came too.
It was essential in recreating the same atmosphere of fin-de-siécle Vienna where Freud lived and worked. The famous couch remains at the centre of Freud’s study in the Freud Museum London to this day.